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Re: Chapter 1: Look-out
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03-09-2008 09:35 AM
That is a good book which is opened with expectation and closed in profit.
~ Amos Bronson Alcott ~
Re: Chapter 1: Look-out
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03-09-2008 09:50 AM
KxBurns wrote:
grapes wrote:This is a good point, Grapes. I think we feel like the narrator's territory is about to be invaded. (What about her attitude or thoughts makes us feel this way?) But it is only her territory because she is the one who chose to stay. Is her claim on this place -- and I mean emotional claim, as we cannot speculate at this point over legal claims, etc. -- any greater than Vivi's?Karen,Emotionally, I believe, Vivi can say she has the right to make a claim on the property. She stayed. She endured. She lived with the ghosts of days gone past and people who had died or chose to move on like Vivi. This doesn't mean Vivi should face any emotional blackmail or guilt. It's just a fact she will have to face when she comes home. It's really not her home anymore, not after fifty years.Thank you again for so much help from you and the other BarnesandNoble readers. I still have more to learn about the board. I'm just taking a step at a time. I am really enjoying Poppy Adams writing style.Glad you're enjoying it!I'm sure I'll be in the minority here, but I don't agree that Ginny's stewardship of the family home makes her any more entitled to it, emotionally, than Vivi. Since we don't yet know why Ginny chose to stay and Vivi to leave, we can't really equate these actions with the degree of family loyalty and even if we could, I'm not sure it matters (in my opinion!).Your post is provocative because it makes me wonder what role, if any, family loyalty will play in the story?
That is a good book which is opened with expectation and closed in profit.
~ Amos Bronson Alcott ~
Re: Chapter 1: Look-out
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03-09-2008 10:01 AM
That is a good book which is opened with expectation and closed in profit.
~ Amos Bronson Alcott ~
Re: looking in the mirror and 20 minutes after 50 years
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03-09-2008 10:05 AM
I am with you on people being late. I make a point to be early and find it weird when people can't be on time. I try to give people a little lee way since when driving things can occur that delay one. I think this could have happened to Vivi. I also wonder if maybe she showed up late on purpose. Could Vivi have been nervous as well?
pigwidgeon wrote:
I actually think the narrator has taken a few hits here and there in this thread. As of the first chapter, I feel as though I can understand and connect with her, on various points. So she doesn't look in the mirror often, what does that really say? I have gone through the whole day, only to catch a glimpse of myself in a store window, or a random reflection, thinking (with a chuckle) "has my hair been sticking up like that all day", realizing that I hadn't looked myself in the mirror at all before that. Some people are not truly concerned about the perception of others, and in a house all alone, do you really need to be? Though, as a literary device, I can see this passing comment being an indicator that the narrator avoids looking into herself to keep from seeing what is there. And, it's hard to know at this early stage in the reading if she is feeling uncomfortable because of that, or because she is nervous upon her estranged sister's arrival. I tend to lean toward the latter, but we shall see.
LyndenMomof2 wrote:...what is up with the time issue, so she's 20 minutes late after 50 years, at this point does it really matter?
There's been a bit of discussion about the narrator's "obsession" with time. I think there are people in this world, myself included, that find lateness disconcerting. Why should she be so specific about the time if she wasn't going to stick with her OWN schedule. Of course the narrator has butterflies (or moths) about seeing her sister after 50 years, and her being late just makes it worse. Yes,... it really matters. For the 50 years, Vivi hasn't been expected home. Now, she states a specific time, and is expected, and continues on her own merry way with no regard for her sister who is waiting, nervously and patiently, for her. I am really interested to see how this aspect of their relationship plays out. (I can see it now "I always have to wait for you!" "Oh, come on! It's no big deal, don't worry about it." "How can I not worry with ALL of these clocks staring at me all the time!" hehe
)
That is a good book which is opened with expectation and closed in profit.
~ Amos Bronson Alcott ~
Re: Chapter 1: Look-out
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03-09-2008 10:09 AM
julyso wrote:
BookSavage wrote:
juliejon wrote:I must admit that I have found this book to be hard to really "get in to". As I begin to read it I sense the familiar theme of time and secrets and initially I am finding it tedious. Perhaps I will begin to see more as I read on!I have to admit that I am write there with you, I have found this book to be to the point of absolute drudgery to read at times. I am not sure that it could move slower or have less of a plot line. I hope that it gets better.I SO agree with both of you, I have not gotten into this story yet, but I sure hope I do and soon...
That is a good book which is opened with expectation and closed in profit.
~ Amos Bronson Alcott ~
Re: Chapter 1: Look-out
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03-09-2008 10:20 AM
tgem wrote:
Peppermill wrote:From the perspective of a writer, is there a difference in the difficulty of those skills, i.e., creating the ability to visualize versus creating the ability to feel scenes?
time452play wrote:...I also see this author of having a talent to enable the reader to visualize the scenes and not just feel them.Peppermill,Thanks to your response to a couple of my posts. In response to this one - it reminds me of a discussion I had on another discussion board. We found that avid readers have different levels of interest in the descriptions of the setting. And some readers visualize in great detail, while others don't.I tend to like a lot of description, because I don't visualize well on my own, and don't always feel the need to. Reading is more emotional to me, but there's also just something about the words themselves and how they work together, that distinguishes poor, good, or great writing for me. Sometimes I'll just read one paragraph and be thinking - wow! this is a great writer. tgem
That is a good book which is opened with expectation and closed in profit.
~ Amos Bronson Alcott ~
Re: Chapter 1: Look-out
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03-09-2008 02:31 PM
Re: Chapter 1: Look-out
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03-10-2008 09:36 AM
Everyman wrote:
>my first thoughts of the book were how well it's written.
At least for the time being, and I'm only through Chapter 5, I didn't find it that well written. It reads for me more like something written by a person who has read a number of books on writing and is trying hard to comply with their instructions rather than just writing out a story. But we'll have to see as the book progresses.
I'm only through ch. 5 and I'm having problems getting myself motivated to pick it up again. I'm finding it very simplistically written. Reading everyones comments is helping, you're pointing out a number of things that I hadn't thought about. I am amused reading the posts and seeing others loving it, I personally liked House at Riverton, but I know many of you didn't.
Kim
Re: Chapter 1: Look-out
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03-10-2008 12:34 PM
Re: Chapter 1: Look-out
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03-10-2008 12:42 PM
Re: Chapter 1: Look-out
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03-10-2008 07:05 PM - edited 03-10-2008 08:19 PM
Message Edited by MLS on 03-10-2008 08:19 PM
Re: Chapter 1: Look-out
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03-10-2008 08:42 PM
applelarae wrote:Everyman wrote:>my first thoughts of the book were how well it's written.
At least for the time being, and I'm only through Chapter 5, I didn't find it that well written. It reads for me more like something written by a person who has read a number of books on writing and is trying hard to comply with their instructions rather than just writing out a story. But we'll have to see as the book progresses.I absolutely agree. When I first picked the book up to start reading it my immediate impression was that I really didn't like the style of writing and I found the first person perspective a bit off putting. It didn't pull me into the story at all. I feel that looking at the first chapter and how Ginny stands at the window apprehensive about the arrival of her sister that she's unwelcoming so the book felt a bit unwelcoming.
Re: Chapter 1: Look-out
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03-11-2008 12:03 AM - edited 03-11-2008 12:16 AM
Right now I believe that Ginni's perception of herself is colored by her memories and "her story" as she has decided to tell it. This story I fear has been retold in Ginni's mind countless times before and maybe even she believes it as much as she believes anything about her life.
It is funny about time; have you ever been with an old girlfriend from college or high school and almost picked up where you left off. It is hard to tell right now. Will they recognize who they really are after all of these years and sense that down deep at the core that they have not changed at all.
I sense that everyone's world is being turned upside down by this return. I also cannot wait to hear about the incident which I suspect may have different slants and filters depending upon who is telling the story.
I have been busy so I am starting a bit later; but I know that I will catch up fast.
Message Edited by bentley on 03-11-2008 12:16 AM
Re: Chapter 1: Look-out
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03-11-2008 03:19 PM
You also notice that she seems to have learned how to spy on the outside world. She seems to be reclusive and hiding from whats out there. She sees the world as too vast and might have always thought that way, but is curious about the world out there. She also must not like her appearance too much, she seems afraid to look at herself. She might think of herself as someone who isn't worth looking at. It's hard to say, she just seems to be completely shut down.
Re: Chapter 1: Look-out
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03-11-2008 05:16 PM
Re: Chapter 1: Look-out
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03-12-2008 02:44 PM
Re: looking in the mirror and 20 minutes after 50 years
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03-14-2008 11:52 AM
This is an interesting question. Conflicted feelings would certainly be natural in such a situation, and Vivi is probably feeling nervous as she makes her approach. But Ginny doesn't seem to imagine that her sister is having the same feelings -- the only mentality she attributes to Vivi in this opening chapter is that she is going to be judgmental. I wonder if this is a reflection of Vivi's actual personality (as Ginny knew her, when they were last together) or Ginny's own personality. Is it too early to guess?
Jaelin wrote:Could Vivi have been nervous as well?
Re: Chapter 1: Look-out
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03-14-2008 11:59 AM
Yes, and it's telling that we get the impression she is not just observing her surroundings, surveying the property around her and the town, but spying. Spying implies secretiveness, right? Does Ginny herself think she's spying or is that how we, the readers, see it?
jasminarose wrote:
You also notice that she seems to have learned how to spy on the outside world. She seems to be reclusive and hiding from whats out there. She sees the world as too vast and might have always thought that way, but is curious about the world out there. She also must not like her appearance too much, she seems afraid to look at herself. She might think of herself as someone who isn't worth looking at. It's hard to say, she just seems to be completely shut down.
Re: Chapter 1: Look-out
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03-14-2008 09:00 PM
I just want to jump in and put my two cents in on some of the great points that are being raised in discussion. I think the cardy is more significant than I first thought because so few things have been kept. I also wonder why the sisters have not seen each other in 50 years and why Vivi is returning. I think the comment about one sister looking out and the other sister is looking in.
Jenn Doyle
Re: Chapter 1: Look-out
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03-16-2008 11:25 AM