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If you don't care about erotic genre fiction, then probably you won't care that yesterday marked for many of us the end of the New British Invasion.
Which is to say, Adam Nevill, erotica editor of London's Virgin Books' Black Lace (BL) and Nexus imprints became "redundant."
Such a polite and utterly British way of noting that as Virgin owners Random House UK concentrates on "prioritising [their] rapidly expanding non-fiction list" and shuts down BL/Nexus, Nevill -- whose seemingly innate ability to procure then nurture ridiculously talented authors and facilitate their creating top-shelf works of wickedly erotic novels -- "doesn't work here anymore."
But why should you care whether Nevill edits Black Lace/Nexus any more than you do whether the imprints exist at all? First, Black Lace and Nexus titles'll be published through February 2010, and backlist remains available for these lovely naughty bits of sexy fun that took America by storm back in '06 and since 1993 influenced significantly the way fine stateside erom's created.
And next: Because under Nevill's and his team's direction, BL/Nexus authors provided readers some of the most exceptional erom and erotica published. Vanguard, and occasionally even deliciously uncomfortable to read because of the nature of their intimacy, the books allow women not only to embrace their sexual fantasies, but also to explore those they perhaps didn't realize they'd had.
Yet Nevill doesn't see himself as driving force behind Black Lace/Nexus' success among readers and critics, rather points to the authors and imprint itself. "I cherry picked the best writers, the best submissions, and what seemed to be the most honest and authentic writing," he says.
And what seems such a simple philosophy worked. From early on, Black Lace, says Nevill, "was a phenomenon, selling over 5 million books and going into 21 languages. It had a huge impact on liberating the female imagination and exploring what had been predominantly taboo imaginative expressions."
Part of what makes Black Lace popular with fans of erotic genre fiction is the availability of themes that appeal to contemporary readers, ones often they can't find even in traditional erotic- and sensual romance. In a 2006 post at Romance: B(u)y the Book blog, Nevill writes:
Sometimes these [Black Lace] stories explore a female character's fantasy life, her inner life and quest for experience, and her goal isn't to find Mr Right and she may not end up ‘happy ever after' with dream man, but will nonetheless be wiser, stronger, confirmed, liberated by the end.
While Nevill moves on from his post at Virgin Books to a 2-book deal with Pan Macmillan - his "Banquet for the Damned" is considered something of a supernatural horror classic - it's clear his tenure at Virgin Books was about the colleagues and the creative. States Nevill, "Commissioning the work of so many talented authors and artists, innovating the direction of the lists and their design, and managing a huge critical path for so many titles has been immensely satisfying."
Obviously, Nevill's not the only one becoming redundant as Black Lace/Nexus close shop. Authors have lost contracts; some
Yet if American houses are wise, they'll keep an eye out for the bright, brash "young" talent - and the established wordsmiths who've caught Nevill's keen notice.
For as I like to say, one editor's lovely naughty bits are another editor's treasure.
How do you feel about erotic romance and erotica? What are some of your fave titles/authors? How are you feeling about the demise of Black Lace/Nexus? What do you feel, if anything, is the difference in flavor between British and American erom/erotica?
Suz Newz! Suz Brockmann hosts a special chat for BN.com viewers on facebook, beginning 12.00 pm EDT, July 29. More info here: http://facebook.com/barnesandnoble/ PLUS: Exclusive Troubleshooter Newz here!
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The first ones I read, before I understood the genre (and, these days, it's still sometimes hard to tell where the line between hot romance and mild erotica is drawn), I discovered authors like Lora Leigh and Shannon McKenna. I still like those two, and you might also try Sarah McCarty to get you started. Forget hot flashes, Debbie, you'll feel as if you're reading these in a steam bath!
I always find it sad when publishers go out of business or drop lines, but maybe this isn't a sign of a lack of sales. It seems to me they are only "redundant" because so many publishers have picked up the slack on this side of the Atlantic, so now Black Lace isn't unique. Baby boomers seem to like hot romance (well, you all know I do), so what used to be sold in brown paper wrappers is now mainstream.
This is NOT the same as porn, although plenty of people argue that it is. This is why it isn't: at National, I was brought to tears by a woman who writes erotic romance. She explained that she was raped as a teenager, and by writing erotic romance she was finally reclaiming her sexuality. It's about sexual freedom, and whether you like/read erotic romance or not, I know this author is not the only one who writes as a way of celebrating her freedom and her sexuality. But it is still romance, of course, and that's as important as the heat.
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dhaupt, you wrote: maybe I read erotica and don't know it. You most probably read something akin to 'erotic romance,' but one publisher's erom is another's sensual romance is another's erotica. One of the problems with the Great Erom Rush of a few years ago was that lots of publishers started buying 'hot' and developing 'hot' imprints, then almost, it seemed, haphazardly slapped tems 'erotica' and erotic romance indiscriminately. It confused lots of readers, but lots of us knew it'd take some time for pubs to get a foothold on delineating erom from erotica from sensual.
Why's that so important when so many believe sub-genre and genre lines should just be allowed to blur? Cause sensuality levels are almost sacred for many readers, and they really want to know what they're getting. And they don't allow for a lot of leeway in that area. So if folks who like it hot but not raw (as in hot w/monogamous per erotic romance) got erotica (perhaps multi-partners and scenarios driven by emotions other than mutual satisfaction or, perhaps need for humiliation or to be humiliated, for example), well you can imagine the sense of shock or betrayal on the part of the consumer.
Now, even in "mass market" (paperback), we're seeing lots of lines pushed depending upon the publisher. And some of that could be because of the baby boomer demo and the youngest demos are more comfortable with hotter, more experimental/less vanilla sex between the monogamous couple in their 'traditional' love story. I find that interesting and exciting, but, again, for the sake of the reader and the author who wants her books marketed to the correct audience, I love to see consistency and forethought onthe part of publishers.
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Exactly, Amy, on all counts.
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Wow, see I didn't know I needed help in delineating all the sub genres and the sub heat levels of romance. And I think I have been reading some sort of erotic and thanks to Becke I've ordered one of the authors that she's suggested. I like hot hot hot love scenes but only between a monogamous couple so what exactly is that called?
Maybe you should offer classes, hmmm yeah and maybe we could get say male models to stand in for the um male characters. ;-)
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Debbie - Shannon McKenna has a new book coming out -- I haven't read the ARC but Romantic Times gave it a great review. I've read her previous series, and those were really good -- lots of suspense. Each book stands alone but the characters are connected. It helps to read them in order.
Lora Leigh has several series, and the Breeds are hugely popular. They used to be sold as erotica; now they're mass market paperbacks. It helps to start at or toward the beginning, but it's not absolutely necessary. I like her Navy Seals series, with WILD HEART being my favorite so far.
Sarah McCarty has a series, too, but I read those out of order and didn't have a problem with it. Search any of these author names on the Romantic Reads board and you can see what others had to say about these authors. There are plenty of others, too -- these were just the first ones that came to my mind.
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I shall miss writing for Black Lace. It's been a huge part of my writing life, and I've really enjoyed working with Adam and with Kerri Sharp, the first Black Lace editor, who taught me an enormous amount when I first started writing for the line, way back. I've written both erotica and erotic romance for Black Lace, and probably quite a bit that floats somewhere in the middle. Romantic erotica, maybe? I just know I had lots of fun with it! ![]()
I'm sad to say goodbye... but I'm looking forward to new challenges, empowered by my experiences with Black Lace.
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In an interview I conducted w/Nevill back in06 -- which, btw was too hot to be published by the folks I was writing for at the time! -- he gave all the props in the world to Kerri Sharp, I believe, whom he felt mentored him at Virgin. When I asked him what a man possibly could know about women's fantasies that'd make him a good erotica editor, he told the story of how is interest in erotic fiction for women began with his reading Anais Nin in early adolescence. I guess that'd be a leg up on attributing ability to subscriptions to "Maxim" and HBO, no?
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Yeah, dhaupt, this is the one area I get obsessive about delineating, cause of the hotness factor. Ellora's Cave (EC) has neat-o delineations for readers to judge which levels of EC "Romantica" they're most comfortable with. no surprizes, and I like that for readers. For me, I like surprizes, just not necessarily sweet ones, you know?
I'd say, too, that Leigh and McKenna always have been erom, rather than erotica, but, again, I'm more rigid on determination, erotica rarely for me being about a love story, and often being driven by emotions that aren't usually sweetness and light. Nor should they be, cause the 'less sweet' emotions ramp up the intensity of the sensual/sexual/emotional response in the reader. 'least to my way of thinkin. But sometimes I have been convinced I've erred.
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And, too, Kate, I hear from so many BL, et al, authors that they so enjoyed the process of writing for the imprints, which is cool to hear.
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Thanks for posting the hot picture of Adam...! Seriously, though, I feel like the demise of BLNexus signals the end of an era. I also believe that it was a serious error on the part of Random House.
BL published my first novel, Raw Silk, and got me started in erotica. At its best, it offered well-crafted, meticulously edited work that engaged both the intellectual and physical sides of the reader.
Requiescat in Pace.
Warmly,
Lisabet
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It's true, Lisabet, that Adam and author Barry Eisler inspired me to coin the acronym FITH at my own site. Foxes in the Henhouse ( a term I didn't coin) are male editors, authors, industry guys who generally wreck havoc among the mostly chick pops of readers' and writers' conferences. And by 'wreck havoc,' I mean women go a little silly over them; they don't do much 'cept show. It's a sight to behold for one who digs observing human nature.
Also true, one generally could count upon the BL/Nexus imprints for offering headier stuff. It will be interesting to see how this washes financially for RH UK, as it would seem the lines were profitable. And very popular erom/erotica lines in the UK.
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