- Subscribe to RSS Feed
- Mark as New
- Mark as Read
- Bookmark
- Subscribe
- Email to a Friend
- Printer Friendly Page
- Report Abuse to a Moderator
I confess that I don’t often remember too much about the plots of books that I read. I’ll have some vague outline preserved usually, (started at point A and ended at point Z, the middle is a blur), but the fine points, the mechanics and details that, let’s face it, lots of mysteries turn on, don’t commonly stick with me. What I tend to retain are memorable characters. In critical essays and reviews I read the phrase “character driven” too often. I roll my eyes a lot because it sounds, to me, like code for “it’s okay to like this” as opposed to that lower form of literature, “plot driven.” I love plots. Books need them. Movies need them. I’ve read some awfully dull books and endured some terrible films that obviously disdained them, and I would prefer a solid, if cookie-cutter, procedural to dynamic prose that amounted to literary navel-gazing any day. But again, it’s the characters that tend to stay with me.
I’d like to use the term ‘character driven’ here, to recommend Late Rain by Lynn Kostoff, and before you roll your eyes, let me explain exactly what I mean. Things happen in this book. Lots of things. It’s packed with scheming, intimidation, betrayal, and murder, and it features an actual detective working an actual mystery. But rather than the players being stand-ins, whose sole function is to move along a convoluted story and amuse us with a one-liner now and then, the characters are so vividly rendered that throwing them together couldn’t help but produce circumstances and consequences similar to what we’re given.
The story involves three different stubborn old men who won’t do what everybody wants them to. Stanley Tedros wont sell off his soft-drink company, Sonny Gramm wont sell off his strip club and Jack Carson wont remember the physical description of a killer. Alright, Jack can’t help it, he’s in the advanced stages of Alzheimers, but Stanley and Sonny? They can be dealt with. And they are.
Late Rain is populated by one of the most colorful character casts this side of a Carl Hiaasen novel. But where Hiaasen gets the most from his creations by pushing them into cartoonishness, Kostoff has taken great care to keep his lunatics grounded in reality and the payoff is nice. I could have spent entire books with the sleazy lawyer Raychard Balen, he of the asymmetrical mustache, or Jaime, the low-rent criminal with big ideas and a bigger mouth. Even minor characters, like teenaged Paige Carson, or elderly Stanley Tedros, showed glimpses into deep wells of creepiness and self-congratulation that I’d like to have more time to explore.
But the most memorable passages were told through the eyes of a (autistic?) criminal named Croy Wendall who is constantly doing rhymes, numbers, and free association to soothe himself. He’s often derailed by these trains of thought in the middle of carrying out some job he’s been hired for, and we’re treated to an inside-out view of the crimes that add macabre humor, (especially to a particularly gruesome killing). He also appears to be named after the alias Linda Fiorentino’s character from Last Seduction takes on, (Wendy Kroy—New York backwards). It’s a clue to the way Croy relates to the world, obsessively restructuring words and phrases, or alluding, off the cuff, to pop-culture landmarks; everything relates to everything else somehow.
And speaking of names, or aliases, one character’s previous moniker was April Rayne, the none-too-subtle missing element from the book’s title. As Mother Nature obstinately holds back the rain and the South Carolina spring heat goes unabated, wildfires ravage the countryside, (a natural consequence of the missing precipitation). Likewise, as the stubborn old men refuse to comply to the wishes of others, murder and mayhem ravage Magnolia Beach, (a natural consequence of not getting our way).
I’ve only just come to read Kostoff this year as his 1991 debut A Choice of Nightmares was reprinted by New Pulp Press, but based on the strength of these two offerings, I’ve added his name to my watch-for list. Better late than never.
Jedidiah Ayres writes fiction and keeps the blog Hardboiled Wonderland.
- Mark as Read
- Mark Message as New
- Bookmark
- Highlight
- Email to a Friend
- Report Abuse to a Moderator
We just had this discussion in my writing group last night where a plot driven writer squared off against me. But it takes an awfully good plot to overcome bland characters. And when you remember a book years later it's usually because it had characters you wanted to spend more time with.
- Mark as Read
- Mark Message as New
- Bookmark
- Highlight
- Email to a Friend
- Report Abuse to a Moderator
Good point Patti - I think you score on both levels. Of course, I will NEVER criticize a book of yours after the NEEDLE story.
And of course, THE NERD OF NOIR had to steal my thunder by posting another LYNN KOSTOFF review yesterday at Spinetingler. Check that out, (especially if you like your critics to be exceptionally profane). http://bit.ly/ayDF2o
- Mark as Read
- Mark Message as New
- Bookmark
- Highlight
- Email to a Friend
- Report Abuse to a Moderator
Am I odd then when I run an exceptional plot twist through my head, I read months ago? Cause I do, I"ll rethink the puzzle over and over to it makes more logical sense. A great character ok, a environment description great, but a fantastic plot I mull it over and over.
- Mark as Read
- Mark Message as New
- Bookmark
- Highlight
- Email to a Friend
- Report Abuse to a Moderator
What plot are you currently mulling?
- Mark as Read
- Mark Message as New
- Bookmark
- Highlight
- Email to a Friend
- Report Abuse to a Moderator
The twist in the latest Sara Paretsky I just got "Hard Crimes". Love the protagonist, good background detail, but the plots are always what keep me doing back. A lot of authors I can figure it out well before the end or along the way. Paretsky keeps me on the edge figuring it out just as the protagonist gets it too. I love author that can do that.
- Mark as Read
- Mark Message as New
- Bookmark
- Highlight
- Email to a Friend
- Report Abuse to a Moderator
I love plots, just not many really stick with me. Events in the stories, sure, but the mechanics of getting to them? Not often. Not sure why that is.
You must be a registered user to add a comment here. If you've already registered, please log in. If you haven't registered yet, please register and log in.
