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Dialogue
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02-10-2007 05:36 PM
Ok, I read your dialogue essay and first I have to ask, "where were you 20 years ago when I was trying to figure this out from scratch!" (I know, I know, Iowa.)
Second, is there some unwritten rule about only having 2 sections of dialogue per paragraph? I read somewhere that that was absolutely verboten and I don't see it often, but I have seen times when a writer has used three or more bits of dialogue laced throughout a paragraph. Always the same person speaking of course, but things are broken up by actions. There have been times when I've really had to go through contortions to get everything situtated correctly without resorting to letting the character speak more than twice.
Second, is there some unwritten rule about only having 2 sections of dialogue per paragraph? I read somewhere that that was absolutely verboten and I don't see it often, but I have seen times when a writer has used three or more bits of dialogue laced throughout a paragraph. Always the same person speaking of course, but things are broken up by actions. There have been times when I've really had to go through contortions to get everything situtated correctly without resorting to letting the character speak more than twice.
Re: Dialogue
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02-10-2007 06:43 PM
There isn't any kind of a rule about letting characters speak more than twice in a paragraph, but there is a common-sense limit. If you listen to real conversations, you'll note that it's very seldom someone says more than two sentences without the other person in the conversation making a comment (even if it's only an "uh-huh" sort of agreeing phrase). So when one character's dialogue goes on too long, it sounds unnatural, more like a speech than a conversation.
Even if the second person can't get a word in edgewise (some talkers DO go on at length!), they're apt to react somehow. Holding up a hand to stop the flow of words; yawning widely; picking up a carving knife to ... no, sorry.
How long is too long for a character to talk? That's where the fine art of author choice comes in -- it will depend on the situation and the character. You don't want the reader to forget the other character is there.
So that's why you've noticed what seems to be a two-sentence rule -- it's because fairly frequently we want the reader to notice what the other person in the conversation is doing, even if they're not talking.
Happy writing,
Leigh
Even if the second person can't get a word in edgewise (some talkers DO go on at length!), they're apt to react somehow. Holding up a hand to stop the flow of words; yawning widely; picking up a carving knife to ... no, sorry.
How long is too long for a character to talk? That's where the fine art of author choice comes in -- it will depend on the situation and the character. You don't want the reader to forget the other character is there.
So that's why you've noticed what seems to be a two-sentence rule -- it's because fairly frequently we want the reader to notice what the other person in the conversation is doing, even if they're not talking.
Happy writing,
Leigh
Re: Dialogue
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02-11-2007 01:54 PM
Re: Dialogue
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02-11-2007 01:55 PM
Hmmm. That doesn't work either. It takes me to a completely different page from the one i posted the link too.
Re: Dialogue
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02-11-2007 02:25 PM
I couldn't get the link to work either so I went fishing.
Go to Leigh's site. On the left hand side of the screen there area a row of buttons. Click "Help for Writers." The third section down is titled "Exercises, Worksheets and More." Under that is a hot link for "Classroom on the Web." Dialogue is the 7th button on the left hand side of that screen.
Hope that helps.
Go to Leigh's site. On the left hand side of the screen there area a row of buttons. Click "Help for Writers." The third section down is titled "Exercises, Worksheets and More." Under that is a hot link for "Classroom on the Web." Dialogue is the 7th button on the left hand side of that screen.
Hope that helps.
Links
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02-13-2007 07:36 PM
There's something about the coding that doesn't like the squiggle character, so it drops off whatever is after that. About the only way to make those links work is to copy and paste them, and that will take you to the Classroom on the Web site. Once there you can bookmark it (it's an open site, not just for students) and then you can go back anytime.
Thanks for giving it the old school try!
Leigh
Thanks for giving it the old school try!
Leigh
Re: Writing Sample
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08-13-2007 12:19 PM
Entertaining,
The heroine should run into hero not wall. You could do the whole mainly chest thing and how it feelt like she ran into a wall.
"I don't kill infants." might be a better comeback.
I posted an alternative intro in the rommance writing post. My main character is a body guard/mercenary. It's complicated.
Love to read more
Aspen
The heroine should run into hero not wall. You could do the whole mainly chest thing and how it feelt like she ran into a wall.
"I don't kill infants." might be a better comeback.
I posted an alternative intro in the rommance writing post. My main character is a body guard/mercenary. It's complicated.
Love to read more
Aspen
â It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.â Said by Mrs. Bennet in Jane Austens Pride and Prejudice