Rae Armantrout just won the Pulitzer Prize in poetry, and she’s a pretty difficult poet to read. But one of her simplest poems, “Thing,” is about the beauty of simplicity:

 

 

Thing

 

We love our cat

for her self

regard is assiduous

and bland,

 

for she sits in the small

patch of sun on our rug

and licks her claws

from all angles

 

and it is far

superior

to "balanced reporting"

 

though, of course,

it is also

the very same thing.

 

For me, that phrase “self/regard,” with the line break, is the hotspot in the poem. “Self regard,” in another context, might mean self interest or egoism, which would imply the opposite of “balanced reporting.” But I’m seeing this cat’s “self regard” as a disinterested attention to details. The self is regarded, the dirt on the paws is regarded, the sun is regarded, but the cat attends to all of it without a drama about herself in contrast to the world. Right now, nothing is “personal” property that needs defending. Those claws (defensiveness and selfhood) will come out when they need to attack; but for now, we’ve got a Buddhist cat of sorts, licking passively as if “one” with the sunlight.

 

She’s not conscious or anxious about where “me” ends and the rest of the world starts right now. She lives around and inside things without competitive values: She pays equal attention to paws, dirt, sun, carpet.

 

The cat’s disregard for “me” contrasts with the couple’s sense of “us,” who know about ownership, with their references to “our” cat, on “our” rug.  They say they “love” the cat, but it’s love with some envy in it. The cat engages in “self regard” by existing in space without staking a firm position. She dissolves into things because she plays an unconscious but functional role. Her calm oblivion echoes with lines from another Armantrout poem, “Yonder”:

 

Anything cancels

everything out.

 

If each point

is a singularity,

 

thrusting all else

aside for good,

 

“good” takes the form

of a throng

of empty chairs.

 

Or it’s ants

swarming a bone.

 

To me, that says that when we are conscious or think of a singular “me”—of what we own, value, or fight against—we separate ourselves from the world, and so can never quite achieve “balanced reporting.” 

 

What do you get out of the poem?

 


Ilana Simons is a therapist, literature professor, and author of A Life of One's Own: A Guide to Better Living through the Work and Wisdom of Virginia Woolf. Visit her website here.


Comments
by on 05-21-2010 02:26 PM

Hi, Ilana,

 

While reading poems, for me, it's like playing the psychological game of word association.  When that happens, I hear song lyrics that start rolling out their verses to me.  Lyrics start bantering the words in the poem, trying to explain themselves to me.

 

The word "Thing"!  Don't you love that word?  Kind of reminds me of George Carlin's "Stuff"!  What is it?  What does it mean?  Is it a personalized word, or a word that lives in the world, amongst all of us, just so we can toss it around, and find something of value in it.  Do we need it?  Does it need us?  Stuff and Us!  Thing I Sing!  What Is This Thing Called Love?! (it's a song!)

 

It's a fun mystery to be able to see inside of the head of someone who writes poetry, just so we can define what it all means.  Is it Life?  Is it Love?  I love a good mystery!  Although, pulling these poems apart, makes it extremely intimate, between reader and writer.  It's a fun challenge, but also extremely revealing, between both the poet and the reader.  I know, when I examine anything, from stories to writers, to myself, I've always got my own spin to put on it, because of who I am.  Who really does the translating - the poet, or the reader?

 

I don't think that it is possible to be totally objective, no matter who you are, or how much you think you know.  That's just my thoughts on reading, in this case, poems, and figuring out what it might mean.

 

I'm going to have to "dream" this one over.  Once I get inside, these things we call poems, I may not come out for days!  Love's (life's) Illusions I recall, I just don't know love (life), at all!  (another song)

 

Kathy

by on 05-21-2010 09:34 PM

I think you got it right, Ilana...I made this up for the fun of it.

 

The Cat
 
My cat sits and purrs
unencumbered by my presence
meow, meow she sits and demurs
 
non invasive I see
where ever she sits and licks
licks her feet to passively ignore me
 
does this cat need my hand to stroke
does she want that attention
anything to cancel out the yoke
 
the moves she makes
the sound she shows the innocent
of listeners for heaven's sake
 
alone, she lives alone
not attached to anything and everything
as she walks away we are shown
 
the hollow echo of purrs in our ear
the stretch of limbs
the self across from a mirror
by on 05-22-2010 01:28 PM

Ilana,

 

I went out to dinner with my friend last night, and had a beer.  The beer was called, Blue Moon, and that's about as often as I drink anything these days....it put me in a silly mood, and that's where I got the 'intestinal fortitude' to write a poem about a poem.  a purely stupid move.  My intellect doesn't carry enough weight to always figure out poems by authors of this caliber.  It was a nervy gesture on my part.  I'm either silly, or serious, at times.

 

To connect a cat to the world at large...an empty chair, or ants swarming a bone, I guess it has to make a statement, proof of just how important 'me' is.  Ants swarming a bone, gave me the creeps.  I pictured fire ants, and being eaten alive. It was a painful picture.  I see the world, at times, by the Sarah Palin's who are swarming, gaining momentum, until I can't stand it!  So, silly is were I chose to be, in this case.

 

Cats, themselves are loners...they need food, water, and place to sun themselves.  They can rub up against, or scratch, a post, or a hand, or whatever it is that self satisfies them.  They can lick their own paws.  What real connection a cat makes to human beings is debatable, as long as their simple needs are met. 

 

The Thing I saw in this poem of Rae Armantrout was:   I'm the cat who doesn't need the outside world to eat me alive, thanks anyway.  Of course, the feral cat is another matter.

 

As humans, how do we see the world?  Is it by this "balanced reporting".

 

Kathy

 

by on 05-23-2010 12:26 PM

A Morning Nightmare

 

I had these horrible

nightmarish dreams

enough to raise me up from my pillow! 

Mixing together

 

analogies of novels

short stories

and just what are these things

called poems?

 

I liken a novel to jelly

the kind that is loose

melts across a piece of toast

 

I liken a short story to jam

large chunks of firm eruptions

great big pieces of tasty flavor

 

I liken a poem to conserve

emulsifying many thick textures

small and tiny bits of rarities to savor

 

I wonder at the minds behind the poems

I wonder at what point that mind comes in

I wonder at what point that mind goes out

 

Do we need to pull that mind into ours

to feel,

to touch

to experience a poem's true meaning

who is the writer

what does it matter

to us  

to them

 

nightmarish dreams

put them

down

into

a washing machine

through its agitation

spin cycle

rinse

spin cycle

stop

 

I feel better now.  Thanks!  I'm going to take a run to B&N, and Pick up Armantrout...

just to see if I can figure her out!

Kathy

by on 05-24-2010 10:28 AM

Rae Armantrout's book, Versed.

 

I read this book from cover to cover.  You're right, she's not an easy poet to read.  I wish I knew how.

 

The cover art should have told me something!  It did, once I started to read what was inside.  She's like trying to explain an abstract by Picasso.  I can't.

 

The image that came to mind, as I woke, and before I finished the last few poems this morning, were the images of the game of hangman.  Go figure!  You have to guess a letter, without knowing what this word is.  If you don't guess a right letter that makes up this word, pop goes the head into the noose....then the rest of the body of the stick man starts to appear, after each wrong guess.  Needless to say, I was hung after each of these poems I read by Armantrout!

 

In general, this book appears to have been written during her illness, or about her experiences during it.  That's all I can give you.  I could quote one of her poems, but I wouldn't even know which one I would pick.

 

Her spacing between her poems, befuddles me.  I can't draw clear thoughts from these.  I can't form clear pictures from these thoughts.

 

But for some strange reason, I found these poems to be intriguing, even profound, but I couldn't attempt to tell you why.  My education is limited in forming these words.  She left me with wanting to know why I can't read her/poems well enough to understand her.

 

 

Kathy

by on 05-25-2010 07:19 PM

I selected two poems by Rae Armantrout, Running, and Later.  Maybe I selected these poems because I identify with them in some way.  Her writing fascinates me, and I'm really trying to understand it.  I think this post will be my last.  It sums up my experience with this author.

 

Running

 

Let's say the universe

is made of strings

that "vibrate" or thrash

in an effort

 

 

to minimize the area

that is the product

of their length

and their duration in time

 

 

      *

 

 

Let's call contraction

"focus"

or "pleasure."

 

 

     *

 

 

You'll step forward,

I know,

 

into the contracting

light

 

ready to like

anyone.

 

How far will you get?

 

You'll be far ahead

and distracted.

 

By what?

 

I won't see it.

 

I'll be running to catch up.

 

I'll know you

by your willingness.

 

I won't believe

 

that what's continual

is automatic

 

 

Later

 

To be beautiful

and powerful enough

for someone

to want to break me

                                       up

 

into syndicated ripples.

 

Later I'll try

to rise from these dead.

 

 

   2

 

How much would this body

have had to be otherwise in order

not to be mine,

 

for this world

not to exist?

 

When would that difference

have had to begin?

 

 

   3

 

The old lady invited me to her soiree.  Maybe I was even

older than she was.  I was mysterious, at any rate, a rarity,

until the room filled up.  Then not.  When she handed

out chocolates, she forgot me.  I gesticulated as if it were

funny and she gave me two pink creams.  Me!  As if I

would have ever wanted these!

 

 

   4

 

they drive me

out to sea.

 

Secretly, I am still

______, the mysterious.

 

I speak in splashes.

 

Later

I have the lonely dream

 

 

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