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I'm Protective of the Last Book I Read
About a week ago, I finished reading Edmund White's autobiography. It wasn't a great book. It was a bitchy book--a gay man's report of his professional frustrations, his sexual obsessions, and the times his heart was broken. The book name-drops and sometimes rambles.
Some chapters read as if they need another edit, repeating phrases. He doesn't tell his life story chronologically; and in the end, he apologizes that the order of events was a bit arbitrary and inefficient.
But if it was a bloated book, I enjoyed it. I could get into it, because it was over 300 pages. He describes sex with famous people, dropping acid with philosophers like Foucault, and enduring hangovers in his NYU office--so it was entertaining. Its flaws made it feel like conversation. This was a long chat with a novelist and critic who'd partied in Paris and New York and wanted to tell me about it.
Now I've got a feeling I've had after finishing a few other good books: I'm sad this one is done, and I want a new one to keep me company, but I don't think anything else will do right now. I think of picking up other autobiographies or novels, but I worry they won't be as full of personality. Or informative. I'm coming off a high, and other possibilities look dim in comparison.
Maybe I just want Edmund White's ideas to infect my head for a bit longer, before I put a new voice in there. His language is still echoing, and it would almost feel like betrayal to turn to new ideas too quickly. Finishing this book is almost like saying goodbye to a friend--as lovely and lonely.
Maybe I'm thinking like this because my mother is visiting New York right now, and we just had dinner. We said goodnight at a street corner, and she rode away in a taxi. I came home hearing her voice; and I'm thinking of how we sustain people we love by internalizing their ideas and holding onto their perspectives.
Finishing a book that has meant something to me is like saying goodbye to someone I've come to know. "It's been nice." I want to hold onto that person's style, maybe because I worry the next mind won't entertain me like she did. Her company makes other options non-options for a bit, because it's hard to trust that a new friend can take her place.
I wonder if you've felt this: You enjoyed one book, so you resist picking up a new one for a while. Others authors look pale in comparison to that old voice; you want to make sure you've gotten the most out of one author's mind, delaying the time when you have to turn to another.
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